“What is a hero?”

The concept of heroism often evokes images of mythical legends, their larger-than-life exploits fueling our imaginations and shaping our ideals. We tend to view these figures as symbols of strength and resilience, their stories offering escapism and inspiration. And perhaps no hero, or in instance, superhero, embodies these qualities more than Superman, the Man of Steel who captured the hearts of millions with his unwavering commitment to truth and justice. And when it comes to the big screen, there will always be Christopher Reeve, who made the world believe that a man can fly. With his chiselled physique and unwavering gaze, Reeve first brought the Last Son of Krypton to life in Richard Donner’s Superman (1978), forever etching his image into the pantheon of cinematic heroes.

Reeve’s portrayal of Superman was so convincing, so perfectly aligned with the comic book ideal, that the tragic accident that befell him in 1995 felt particularly cruel. Thrown from a horse during an equestrian competition, Reeve suffered a spinal cord injury that left him paralysed from the neck down. The irony of Superman, a symbol of invincibility, becoming confined to a wheelchair was not lost on the world. It was a devastating blow, not just for Reeve and his loved ones, but for the millions who had come to see him as the embodiment of heroic ideals.

This profound irony is explored with great sensitivity and depth in Super/Man: The Christopher Reeve Story, a documentary that chronicles Reeve’s life, inevitably focusing on the accident and its aftermath. The film allows Reeve to speak with intimate candour about his initial despair and the surreal nightmare he experienced.

“We need all the heroes we can get,” Reeve states near the beginning of the documentary, a sentiment that resonates throughout the film. Directors Ian Bonhôte and Peter Ettedgui, known for their nuanced approach to biographical documentaries along the likes of McQueen (2018) – a documentary that shone light on British fashion designer Alexander McQueen – and Paralympic Games-focused Rising Phoenix (2020), strike a delicate balance between celebrating Reeve’s iconic status and exploring the personal struggles he faced after his accident. Unlike their previous subject (McQueen) who tragically succumbed to his demons, Reeve’s story is one of resilience and triumph over adversity.

For those unfamiliar with the cultural landscape of 1978, it’s difficult to grasp the monumental impact of Donner’s Superman, which rose above the initial scepticism and the unexpected triumph of Reeve’s performance. Reeve was among the many who were in the running for the role of Superman, with the most notable being A-listers like Paul Newman (Butch Cassidy and the Sundance Kid, The Hustler) and Robert Redford (All the President’s Men, The Natural). Even Arnold Schwarzenegger (The Terminator, Predator) and singer-songwriter Neil Diamond expressed interest in donning the iconic red cape.

Superman catapulted the then-unknown Broadway actor to superstardom, his portrayal of the Man of Steel becoming the definitive interpretation for a generation. At a time when superhero movies were mainly a joke or a rarity, Reeve’s embodiment of both the bumbling Clark Kent and the awe-inspiring Superman proved to be a winning combination, captivating audiences and critics alike. Even the briefest glimpses of Reeve soaring through the skies with Margot Kidder’s Lois Lane, accompanied by John Williams’ iconic score, are enough to evoke a sense of wonder. His performance in Superman II (1980) further solidified his status, showcasing the duality of Clark Kent and Superman with remarkable nuance.

While acknowledging the influence of the Superman films on Reeve’s career, the documentary doesn’t shy away from his later cynicism towards the role, touching upon his frustration with being typecast and his disappointment with the declining quality of Superman III (1983) and Superman IV: The Quest for Peace (1987). Thankfully, the film wisely chooses not to dwell on these aspects, recognising that Reeve’s story extends far beyond his superhero persona.

Nevertheless, there’s no denying that Reeve’s image as Superman, a symbol of strength and invincibility, amplified the shock and sorrow when he reappeared in public at the 1996 Academy Awards, less than a year after his accident. The documentary featured footage of Reeve’s journey to the Oscars, revealing the logistical challenges and emotional weight of his public return. This powerful moment is further enriched by the revelation of longtime friend and Juilliard schoolmate Robin Williams’ (Dead Poets Society, Good Will Hunting) instrumental role in orchestrating Reeve’s appearance, showcasing the depth of their friendship and unwavering support. Glenn Close (Fatal Attraction, 101 Dalmatians), a close friend of both actors, even suggested that Williams’ own tragic passing might have been prevented had Reeve still been alive.

Beyond Reeve’s public persona and struggles, Super/Man: The Christopher Reeve Story also delves into the deeply personal topic of family. His three children, Alexandra, Matthew, and Will, offer intimate reflections on their father, their words interwoven with heartwarming home videos and archival footage that capture the joy and love within their family. The film traces Reeve’s evolving relationships, from his ten-year partnership with British modelling agent Gae Exton, with whom he had two children (Alexandra and Matthew), to his marriage to actress-singer Dana Reeve (née Morosini), the mother of his youngest son, Will. 

Although Reeve and Exton never married and eventually parted ways – a decision that eerily echoed the marital patterns of his own parents – his subsequent marriage to Morosini displayed a profound depth of love and commitment. This relationship proved pivotal, offering Reeve a stable family life that was crucial in overcoming his bouts of depression. The dynamic within their blended family, with Dana warmly embracing Alexandra and Matthew while nurturing a strong sibling bond with Will, highlights a cohesive familial unit. Even Exton remained a part of their lives, and the film captures a particularly poignant moment as she reflects on her relationship with Reeve, along with the enduring affection they shared. 

One of the most remarkable aspects of Super/Man: The Christopher Reeve Story is its ability to find hope and resilience amidst tragedy. While acknowledging the devastating impact of Reeve’s accident, the film centres on his extraordinary journey of recovery (he learned to breathe, speak, and ultimately, to live a fulfilling life), and his transformation into a passionate advocate for the disabled, chronicling his tireless efforts to raise awareness and secure funding for spinal cord injury research. In doing so, Reeve stepped off his superhero pedestal and became a true human hero, his empathy and determination shining brighter than any fictional superpower. 

“A hero is an ordinary individual who finds the strength to persevere and endure in spite of overwhelming obstacles,” says Reeve in his autobiography, Still Me (1998). Super/Man: The Christopher Reeve Story embodies this sentiment, offering an intimate and achingly honest portrait of a man who redefined heroism. It’s a must-see documentary that celebrates Reeve’s legacy, not just as a cinematic icon, but as a beacon of hope and resilience for those facing seemingly insurmountable challenges. Just remember the tissues – this narrative, rich with triumph and tearful moments, demands them.

Natalie

Natalie is a big fan of anything related to movies, TV shows, games, and comics — you name it. When she’s not reading or geeking out about the latest shows on Netflix, she’s probably playing gacha and tabletop games, or daydreaming of meeting her idols.

The post Super/Man: The Christopher Reeve Story – Review appeared first on Geek Culture.

It’s back to the drawing board for Sony Pictures TV and Amazon MGM Studios, who are starting from scratch for Prime Video’s God of War, a series based on PlayStation’s smash hit video game of the same name.

According to Deadline, this comes after the departure of showrunner and executive producer Rafe Judkins, alongside fellow executive producers Hawk Ostby and Mark Fergus. The trio left the project after completing various scripts for the show’s first season, with the studio reportedly considering a move to a different creative direction by hiring a new writing team for the series.

The series was first announced in 2022 and is set to follow the events of 2018’s God of War, which sees protagonist Kratos journeying with his son Atreus to the highest peak in the realm to scatter his late wife’s ashes.

Santa Monica Studio’s God of War franchise remains one of the most well-known IPs in gaming, spanning a total of seven games across four generations of PlayStation consoles. Originally focused on Greek mythology, 2018’s soft-reboot transitioned the series to the Norse realm, earning universal acclaim alongside its 2022 sequel, God of War Ragnarok.

Produced by Sony Pictures TV and MGM Amazon Studios, and in association with PlayStation Productions, the God of War series has been in production since March 2022. Despite the departure of key creative personnel, Santa Monica Studio’s Cory Barlog and Yumi Yang will remain as executive producers on the project, alongside head of PlayStation Productions Asad Qizilbash, senior producer Carter Swan, and Vertigo Entertainment’s Roy Lee.

Kevin Low

Kevin is a reformed PC Master Race gamer with a penchant for franchise “duds” like Darksiders III and Dead Space 3. He has made it his life-long mission to play every single major game release – lest his wallet dies trying.

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In an exciting development for sci-fi and thriller fans, Josh Brolin has been cast as the antagonist in Edgar Wright’s upcoming adaptation of Stephen King’s dystopian novel, The Running Man, according to Deadline.

The Running Man revolves around Ben Richards, played by Glen Powell, a man coerced into participating in a brutal televised chase where he must evade capture by authorities for a month to win a massive cash prize. The game is lethal, with hunters authorised to kill. This narrative was previously adapted in 1987 with Arnold Schwarzenegger in the lead, but Wright’s version promises to stay truer to King’s original vision.

Wright, acclaimed for directing Baby Driver and Shaun of the Dead, co-writes this adaptation with 21 Jump Street‘s Michael Bacall. The ensemble cast also includes Katy O’Brian from Love Lies Bleeding, Nocturnal Animals‘ Karl Glusman, and All American‘s Daniel Ezra, contributing to what is anticipated to be a gripping rendition of King’s work.

As a precursor to modern survival stories like The Hunger Games and Battle Royale, The Running Man offers a critical look at society’s fascination with spectacle and punishment. Fans are hopeful that Wright’s take will deliver a compelling narrative that does justice to King’s original material.

In other news, Brolin was recently linked to the role of Hal Jordan in the Green Lantern series Lanterns for HBO, but he has since passed on the opportunity. Kyle Chandler will instead take on the role, with Aaron Pierre confirmed as John Stewart. Besides The Running Man, Brolin was also recently cast in Rian Johnson’s upcoming Wake Up Dead Man.

Brolin’s involvement in The Running Man adds significant star power to an already highly anticipated film, promising a deep dive into the dark corners of human entertainment and survival instinct. Fans can look forward to a thrilling chase when The Running Man hits theatres on 21 November 2025.

Natalie

Natalie is a big fan of anything related to movies, TV shows, games, and comics — you name it. When she’s not reading or geeking out about the latest shows on Netflix, she’s probably playing gacha and tabletop games, or daydreaming of meeting her idols.

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Parker Finn’s 2022 directorial debut and sleeper horror hit, Smile, introduced audiences to a truly unsettling antagonist: a malevolent entity that forces its victims into gruesome suicides while sporting a chillingly wide grin. This sinister phantom, with its contagious smile and penchant for psychological torment, tapped into a primal fear, leaving viewers with a lingering sense of unease long after the credits rolled. The film’s success, raking in over US$217 million worldwide against a modest US$17 million budget, proved that a simple yet effective horror concept could resonate with audiences, even in an era saturated with grotesque genre offerings.

Unsurprisingly, Smile 2 arrives with the promise of a heftier budget of US$28 million and a grander, more elaborate spectacle, offering Finn the opportunity to expand upon his terrifying creation. One might expect a sequel with increased resources to delve deeper into the mythology hinted at in the original, exploring new facets of the grinning entity and expanding the narrative’s scope but instead of demystifying the monster or venturing into uncharted territory, Finn opts to revisit familiar ground, essentially rehashing the first film’s formula, albeit with a slightly different thematic lens. While the original Smile focused on a psychologist grappling with mental health and trauma, the sequel turns its attention to the pressures of modern celebrity stardom and the unrelenting scrutiny of the public eye.

The sequel unfolds with a direct connection to its predecessor, initiating with a seamless, single-shot sequence that reminds viewers of the unresolved dread from the first film. It quickly transitions to showcase its expanded budget through an unexpected cameo by Scream (1996) alum Drew Barrymore (Charlie’s Angels, 50 First Dates), before introducing us to the glittering yet grim reality of pop star Skye Riley, portrayed with an onstage charisma and offstage vulnerability of an idol grappling with the dark side of fame by Naomi Scott (Power Rangers, Aladdin). This reality is, sadly, one that the sinister entity exploits with cruel irony.

Adding to the mounting tension, Riley is still recovering from a near-fatal car crash and struggling with sobriety, all while on the verge of a high-stakes comeback tour. Her carefully constructed facade begins to crumble as she witnesses a horrifying death of her friend Lewis (Lukas Gage, Euphoria, The White Lotus), triggering a series of disturbing visions that threaten to derail her career and sanity. 

Her struggles are compounded by a host of personal challenges, including a manipulative stage mother played by Rosemarie DeWitt (Rachel Getting Married, Poltergeist), a controlling record executive (Raúl Castillo, Looking), and unresolved guilt over past actions that ruined a close friendship with ex-best friend Gemma (Dylan Gelula, First Girl I Loved). Finn intertwines these personal dramas with Skye’s psychological descent, as she tries to maintain her glamorous facade while grappling with increasingly terrifying hallucinations.

Smile 2 truly shines when it taps into the specific anxieties of a life lived under the harsh spotlight. A standout scene features Riley, mouth smeared with blood-red lipstick, delivering an uncomfortably honest impromptu speech at a charity event after the teleprompter malfunctions. This sequence, among others (including facing a crazed stalker at a meet-and-greet), draws parallels to the struggles of real-life figures like singer Amy Winehouse and singer/songwriter Chappell Roan, whose mental health and personal struggles often become fodder for public consumption. 

Scott, a musician herself, embodies the character’s frazzled nerves and inner turmoil with impressive authenticity, making this her most alluring big-screen performance to date. One can’t help but wonder if Scott is channelling her own experiences navigating the treacherous waters of the music industry, as she delivers a poignant and vulnerable rendition of her song, titled Blood on White Satin, about the curse of fame.

This vulnerability is further amplified by Finn’s sophisticated approach to horror, which masterfully blends subtle unease with shocking body horror. The film’s technical execution has matured since the original, using disorienting angles and atmospheric lighting to enhance the sense of disorientation and fear. Smile composer Cristobal Tapia de Veer returns with yet another eerie score, a blend of industrial noise and distorted sounds that perfectly complements the film’s unsettling visuals, including a particularly memorable sequence with phantom backup dancers contorting into grotesque poses.

While Smile 2 delivers its fair share of jolts and its commentary on celebrity culture is sharp and insightful, the bloated runtime dilutes its impact. Clocking in at over 2 hours compared to its predecessor’s 1 hour 55 minutes runtime, Smile 2 occasionally feels repetitive, labouring its points when a more concise approach would have heightened the tension and emotion. 

This overextension is particularly evident in the film’s overreliance on the villain’s reality-bending abilities. While the initial hallucinations are effective in creating a sense of unease and paranoia, the constant shifting between reality and delusion, punctuated by increasingly graphic violence, creating a distancing effect, preventing the audience from fully connecting with Skye’s terrifying ordeal. Each plot twist, revealing yet another mere figment of Riley’s imagination, starts to feel less like a clever narrative device and more like a frustrating gimmick. 

Ultimately, Smile 2 is emblematic of the classic sequel dilemma – bigger doesn’t always mean better. The sequel may amp everything up, from Scott’s star performance to its critique of celebrity culture, but it loses some of the chilling simplicity that made the original Smile so effective. Nevertheless, Finn’s bold, untempered direction ensures that the film will find its audience, leaving many horror fans smiling – though perhaps not as widely as the first film.

Natalie

Natalie is a big fan of anything related to movies, TV shows, games, and comics — you name it. When she’s not reading or geeking out about the latest shows on Netflix, she’s probably playing gacha and tabletop games, or daydreaming of meeting her idols.

The post Smile 2 – Review appeared first on Geek Culture.

Disney is setting the stage for a new take on the classic character Prince Charming, with Paddington and Wonka director Paul King at the helm. This announcement, first reported by Deadline, marks a fresh direction for one of Disney’s most recognisable but often background characters.

Known for his successful direction of whimsical and beloved films, King has been confirmed to direct the film, collaborating on the script with Jon Croker and Simon Farnaby. Croker brings experience from the first Paddington movie, while Farnaby worked with King on Wonka and Paddington 2.

The character of Prince Charming has appeared under this title in Disney’s Cinderella and has been a staple in many fairy tales and Disney films, often serving as the hero who rescues the leading lady. The plot remains under wraps, and it’s unclear whether this adaptation will be animated or live-action, though Disney’s recent trend leans towards live-action productions.

While the character has traditionally been portrayed in a heroic light, modern renditions in media like the Once Upon a Time TV series have offered more nuanced, and sometimes villainous (we’re looking at you, Shrek 2…) takes. This new film could potentially explore an origin story or an alternative perspective focusing on Prince Charming’s backstory, providing a fresh take on his role in the Disney universe.

Paul King’s directorial prowess was recently showcased in Wonka, an origin story for Roald Dahl’s Willy Wonka, which became a box office success by grossing US$634 million worldwide. King’s storytelling style, which combines heartfelt narrative with rich, imaginative visuals, seems well-suited for bringing depth to a character traditionally seen but not deeply explored.

Details about the release date for Prince Charming are still pending, as are announcements about the cast. This new venture promises to redefine Prince Charming for a new generation, potentially turning the spotlight on a character who has played a pivotal yet often static role in many a Disney tale.

Natalie

Natalie is a big fan of anything related to movies, TV shows, games, and comics — you name it. When she’s not reading or geeking out about the latest shows on Netflix, she’s probably playing gacha and tabletop games, or daydreaming of meeting her idols.

The post Disney Finally Gives ‘Prince Charming’ A Voice With Movie From ‘Wonka’ Director appeared first on Geek Culture.

Tom Holland recently revealed insights into the development of Spider-Man 4, expressing his enthusiasm about the current script’s direction. In a discussion on the Rich Roll podcast, Holland, known for his portrayal of Spider-Man and a tendency to share secrets, conveyed his excitement alongside co-star Zendaya after reviewing a draft of the upcoming film.

“We have a creative and we have a pitch and a draft, which is excellent. It needs work, but the writers are doing a great job. I read it three weeks ago and it really lit a fire in me,” Holland commented. The actor shared a glimpse into their reading experience: “Zendaya and I sat down and read it together and we at times were bouncing around the living room like this is a real movie worthy of the fans’ respect.”

During the interview, Holland touched on various topics, including his relationships within the Marvel Cinematic Universe (MCU), like his mentorship bond with Robert Downey Jr. He emphasised the importance of delivering a film that lives up to Marvel fans’ expectations.

He also noted the complexities of working within the larger MCU framework. “One of the things is that, with Marvel, your film is a small cog in a large machine. That machine has got to keep running,” he explained. “You have to make sure you can fit into that timeline at the right time to benefit the bigger picture. That’s one of the challenges we’re facing. The time in which we need to get that done is a tall order but definitely achievable with the people we have working on it now.”

Holland also shared his hopes for integrating Miles Morales into the MCU. “If I would be lucky enough to somehow bring Miles Morales into my Spider-Man universe and into the MCU, I’d love to do for a young kid what [Robert] Downey [Jr.] did for me,” he expressed.

While details about Spider-Man 4 are still under wraps, rumours suggest it may be directed by Destin Daniel Cretton, known for Shang-Chi and the Legend of the Ten Rings.

In the meantime, Sony Pictures is set to release Venom: The Last Dance on 24 October, marking Tom Hardy’s final appearance in the series. They are also developing Spider-Man: Beyond the Spider-Verse, a sequel to 2023’s Spider-Man: Across the Spider-Verse. Release dates for Spider-Man 4 remain unknown, but the MCU pipeline is full of projects slated for 2025 and beyond.

Natalie

Natalie is a big fan of anything related to movies, TV shows, games, and comics — you name it. When she’s not reading or geeking out about the latest shows on Netflix, she’s probably playing gacha and tabletop games, or daydreaming of meeting her idols.

The post Tom Holland Says ‘Spider-Man 4’ “Needs Work”, Wants To Mentor Miles Morales In MCU appeared first on Geek Culture.

Scholastic has just released the book cover and official synopsis of the eagerly awaited prequel to the Hunger Games series, Sunrise on the Reaping, set to hit shelves on 18 March 2025. This latest entry delves into the tumultuous Second Quarter Quell, a pivotal event in the series’ lore that fans of the films will recall Haymitch Abernathy, played by Woody Harrelson, famously survived.

Suzanne Collins, the mastermind behind the Hunger Games universe, sets Sunrise on the Reaping 24 years before the original trilogy. The prequel’s official synopsis is as follows:

“When you’ve been set up to lose everything you love, what is there left to fight for?

As the day dawns on the fiftieth annual Hunger Games, fear grips the districts of Panem. This year, in honor of the Quarter Quell, twice as many tributes will be taken from their homes. Back in District 12, Haymitch Abernathy is trying not to think too hard about his chances. All he cares about is making it through the day and being with the girl he loves.

When Haymitch’s name is called, he can feel all his dreams break. He’s torn from his family and his love, shuttled to the Capitol with the three other District 12 tributes: a young friend who’s nearly a sister to him, a compulsive oddsmaker, and the most stuck-up girl in town. As the Games begin, Haymitch understands he’s been set up to fail. But there’s something in him that wants to fight . . . and have that fight reverberate far beyond the deadly arena.”

Sunrise on the Reaping promises to add depth to the character of Haymitch and explore the impact of his actions both inside and beyond the arena. This narrative arc aims to enrich the complex world of Panem, providing insights into the origins of the rebellion that defines the later books.

Nina Jacobson and Brad Simpson, who produced the original Hunger Games films, which have grossed a staggering US$3.3 billion globally, making it one of the highest-grossing film franchises, will return to produce the film adaptations of Sunrise on the Reaping.

The Hunger Games series continues to expand, with Collins’ 2020 prequel The Ballad of Songbirds and Snakes having already been turned into a successful film in 2023, starring Rachel Zegler and Tom Blyth, which pulled in US$337.4 million worldwide.

Fans of the series can mark their calendars for 18 March 2025, when Sunrise on the Reaping is scheduled for release. For now, they can pre-order their copy on the Amazon website.

Natalie

Natalie is a big fan of anything related to movies, TV shows, games, and comics — you name it. When she’s not reading or geeking out about the latest shows on Netflix, she’s probably playing gacha and tabletop games, or daydreaming of meeting her idols.

The post ‘The Hunger Games’ Prequel ‘Sunrise on the Reaping’ Book Cover Revealed appeared first on Geek Culture.

In an exciting update for fans of The Boys, Mason Dye, renowned for his portrayal of Jason Carver in Stranger Things, is set to join the cast in season 5. Dye will assume the role of Bombsight, a superhero originally seen in the fictional 1950s Vought International film, The Curse of Fu Manchu. This character’s mention in season 4 hinted at his longstanding history, suggesting abilities like immortality or a healing factor that could make for intriguing plot developments through flashbacks.

The casting news, which first surfaced in Variety and was further detailed by Entertainment Weekly, indicates that Dye’s Bombsight might also feature in the anticipated spinoff prequel, Vought Rising, starring Jensen Ackles and Aya Cash. This move signifies a significant expansion of the universe created by Eric Kripke and based on the comic series by Garth Ennis and Darick Robertson.

Dye joins a dynamic ensemble that includes Hamilton‘s Daveed Diggs, who was recently announced as a new addition in an undisclosed role. The Boys, originally a comic that faced early cancellation but found new life and success with Dynamite Entertainment, has grown into a pop culture phenomenon under Amazon Prime Video’s banner. It stars Karl Urban, Jack Quaid, Antony Starr, and Erin Moriarty in a gritty narrative that critiques superhero commercialism.

The show has consistently pushed boundaries, leading to its development into a franchise with multiple spinoffs. Season 4 sets the stage with high stakes as Victoria Neuman inches closer to power, aligned with Homelander, while Butcher faces personal and professional crises. The new season will undoubtedly escalate these conflicts, pulling characters like Dye’s Bombsight into the central narrative whirlwind.

Dye’s career trajectory has been marked by notable roles in television and film, including appearances in Teen Wolf and various Lifetime movies. His performance in Stranger Things brought him significant recognition, making him a fitting addition to The Boys‘ robust cast.

Natalie

Natalie is a big fan of anything related to movies, TV shows, games, and comics — you name it. When she’s not reading or geeking out about the latest shows on Netflix, she’s probably playing gacha and tabletop games, or daydreaming of meeting her idols.

The post Stranger Things’ Mason Dye Joins ‘The Boys’ Season 5 As Supe Bombsight appeared first on Geek Culture.

There’s merit to tweaking an established formula, but it doesn’t always pay off. In the case of Invincible, splitting its second season into a non-consecutive two-parter may not have been the best idea, as Season 3 is reverting to its original broadcast format on Prime Video.

As revealed in a new teaser trailer, the forthcoming outing will premiere its first three episodes on 6 February 2025, with subsequent episodes dropping every Thursday through 13 March. The Walking Dead star Steven Yuen returns as Mark / Invincible in the two-and-a-half-minute preview, where he gets chastised by Cecil (Walton Goggins, Fallout) at Burger Mart and makes a self-effacing rib at the mid-season break that Season 2 was subjected to.

“And don’t even get me started on your little four-month vacation right in the middle of things. We all sure loved that,” says Cecil, about the gap between its initial airing in November 2023 and part 2 in March this year.

Based on Robert Kirkman’s comic book series, Invincible follows 17-year-old Mark Grayson as he inherits his father’s superpowers and sets out to become Earth’s greatest defender, only to discover the job is more challenging than he could have ever imagined. Starring opposite Yuen in the show are Sandra Oh and J.K. Simmons, who play Mark’s parents.

The rest of the voice cast includes Seth Rogen, Gillian Jacobs, Jason Mantzoukas, Zazie Beetz, Grey DeLisle, Zachary Quinto, Chris Diamantopoulos, Ross Marquand, Khary Payton, Andrew Rannells, Kevin Michael Richardson, Ben Schwartz, Clancy Brown, Jay Pharoah, Mark Hamill, and Melise Jow.

The adult-animated show is executive produced by Kirkman, Rogen, David Alpert, Catherine Winder, Simon Racioppa, Margaret M. Dean, and Evan Goldberg. Helen Leigh and Cory Walker serve as co-executive producers. A fourth season of Invincible has also been greenlit, with Season 3 set to air on 6 February next year.

Si Jia

Si Jia is a casual geek at heart – or as casual as someone with Sephiroth’s theme on her Spotify playlist can get. A fan of movies, games, and Japanese culture, Si Jia’s greatest weakness is the Steam Summer Sale. Or any Steam sale, really.

The post ‘Invincible’ Season 3 Takes Off In Feb 2025, Will Not Have Mid-Season Break appeared first on Geek Culture.

Sony Pictures has announced a 25 April 2025 release date for their upcoming movie adaptation of the hit horror game Until Dawn, almost a week after the end of filming.

Originally developed by Supermassive Games, 2015’s interactive drama horror game Until Dawn will bring its signature spooks and thrills to the big screen next year, only a few months ahead of the game’s 10th anniversary. The film will be directed by David F. Sandberg, who helmed 2019’s Shazam! and its 2023 sequel, Shazam! Fury of the Gods, alongside producer Gary Dauberman, who also wrote the movie’s final script.

The upcoming film is described as an “R-rated love letter to the horror genre” inspired by the events of the game, which featured a slasher mystery revolving around eight friends on a retreat to an isolated mountain lodge.

Peter Stormare is set to reprise his role as Dr. Hill, alongside his fellow castmates Ella Rubin (The Idea of You), Michael Cimino (Love, Victor), Ji-young Yoo (Expats), and Odessa A’zion (Hellraiser). The upcoming film marks a resurgence of the title a decade after its original launch, alongside the Until Dawn remake, which was released on PlayStation 5 and PC earlier this month.

The Until Dawn movie hits theatres on 25 April 2025.

Kevin Low

Kevin is a reformed PC Master Race gamer with a penchant for franchise “duds” like Darksiders III and Dead Space 3. He has made it his life-long mission to play every single major game release – lest his wallet dies trying.

The post ‘Until Dawn’ Movie To Hit Theatres April 2025 appeared first on Geek Culture.

It’s a tale as old as time — tickets for a highly-anticipated event are sold online, only to be snapped up quickly by the crowd. Hours later, listings with marked-up prices appear on web-based marketplaces, where scalpers rear their ugly heads and wait to ensnare their prey.

The latest profit-making effort comes by way of the upcoming Disney Presents: A Night of Stars event in Singapore, promising an opportunity to meet actors from several anticipated Disney films and Disney+ series, including Anthony Mackie (Captain America: Brave New World) and Korean stars like Park Eunbin, Sul Kyunggu, Yoon Chanyoung, and Park Byungeun. While admission is free, entry is limited to successful registrations on the Marina Bay Sands website, which opened this morning at 10am SGT.

And like clockwork, the scalping forces are quick to act. Two separate listings on Carousell have put out an offer of S$100 and S$150, with the former even accepting bids. “Selling 4 tickets, only selling as pairs,” reads its description at the time of writing. “PM your best quote. Current bid: [S$]110 each ticket”.

Meanwhile, the second post writes that the tickets are being let go at a fixed rate of S$150 each due to “overwhelming bids”. There’s also an accompanying paragraph that touts the seller’s ability to alter the names on the tickets:

“Marquee – scan barcode to enter. Will change to your name before sending e-tickets for ID check. Names CAN be changed. If others are saying it can’t be done, they just don’t know how to change it via the site. You cannot enter if the ticket name does not match your ID. :)”

Marquee refers to the iconic nightclub MARQUEE Singapore, located within Marina Bay Sands. Disney Presents: A Night of Stars will be held on 20 November from 5.30pm to 7.30pm SGT, but since there’s still some time leading up to the grand fan event, more listings from scalpers are expected to drop — and likely with higher prices, reinforcing once again how they continue to be the bane of everyone’s existence.

Si Jia

Si Jia is a casual geek at heart – or as casual as someone with Sephiroth’s theme on her Spotify playlist can get. A fan of movies, games, and Japanese culture, Si Jia’s greatest weakness is the Steam Summer Sale. Or any Steam sale, really.

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James Gunn has excited fans with the announcement that Krypto the Superdog will debut in the live-action Superman film, which wrapped production this summer. Inspired by Gunn’s own rescue dog, Ozu, Krypto will be featured for the first time in a live-action setting, expanding his role from the comic pages to the big screen.

In a heartfelt social media post, Gunn shared how adopting Ozu, a dog rescued from a hoarding situation, influenced the addition of Krypto into the Superman script. “Ozu, who came from a hoarding situation in a backyard with 60 other dogs & never knew human beings, was problematic to say the least. He immediately came in & destroyed our home, our shoes, our furniture – he even ate my laptop. It took a long time before he would even let us touch him,” Gunn wrote on X/Twitter.

“I remember thinking, ‘Gosh, how difficult would life be if Ozu had superpowers?’ – and thus Krypto came into the script & changed the shape of the story as Ozu was changing my life. What better time to debut the not-so-good-good-boy Krypto than #AdoptAShelterDog month. Btw, Ozu today, is, fairly often, a very good boy.”

Krypto the Superdog first emerged in DC Comics in 1955 and has since appeared in various animated formats, including his own series, Krypto the Superdog, which aired on Cartoon Network and The CW’s Kids’ WB. Unlike his animated portrayals where he lands on Earth as Superman’s pet from Krypton, this marks Krypto’s first live-action film appearance. Historically, Krypto shares similar superpowers with Superman, such as super strength, flight, and invulnerability.

The upcoming Superman film, directed by Gunn, will follow the titular hero, played by David Corenswet, as he navigates his dual heritage and embodies ideals of truth, justice, and human kindness in a cynical world. The film’s storyline focuses on Superman’s efforts to balance his Kryptonian powers with his earthly upbringing.

The cast includes Rachel Brosnahan as Lois Lane, Nicholas Hoult as Lex Luthor, and María Gabriela de Faría as The Engineer, with additional roles filled by Skyler Gisondo, Sara Sampaio, Sean Gunn, Edi Gathegi, Anthony Carrigan, Isabel Merced, and Nathan Fillion.

Superman will fly into cinemas on 11 July 2025.

Natalie

Natalie is a big fan of anything related to movies, TV shows, games, and comics — you name it. When she’s not reading or geeking out about the latest shows on Netflix, she’s probably playing gacha and tabletop games, or daydreaming of meeting her idols.

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Amazon Prime Video’s Secret Level series will feature a star-studded cast, including Arnold Schwarzenegger, Kevin Hart, Claudia Doumit, and more, as revealed via a leaked trailer.

According to MP1st, the trailer appeared ahead of its stipulated 10 December release date. Although it was swiftly taken down via a DMCA takedown notice from Amazon, viewers were quick to extract its list of stars.

Below is the leaked list of the series’ main cast:

• Arnold Schwarzenegger
• Kevin Hart
• Keanu Reeves
• Heaven Hart
• Temuera Morrison
• Ariana Greenblatt
• Emily Swallow
• Gabriel Luna
• Ricky Whittle
• Patrick Schwarzenegger
• Merle Dandridge
• Claudia Doumit
• Adewale Akinnuoye-Agbaje
• Clive Standen
• Michael Beach

Secret Level is an upcoming animated anthology series with each of its 15 episodes being based on a different video game series. Titles featured will include hits such as God of War, Ghost of Tsushima and Armored Core. The series comes from Blur Studio, the folks behind the critically acclaimed Love, Death & Robots.

The series is also set to feature an episode based on Concord, PlayStation’s late hero shooter which was notoriously taken offline a mere two weeks after its launch. It has yet to be seen if Amazon will proceed with airing that particular episode.

Secret Level will premiere on Amazon Prime Video on 10 December.

Kevin Low

Kevin is a reformed PC Master Race gamer with a penchant for franchise “duds” like Darksiders III and Dead Space 3. He has made it his life-long mission to play every single major game release – lest his wallet dies trying.

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OCBC has joined forces with Disney, marking a strategic five-year collaboration across three of its five core markets: Singapore, Malaysia, and Indonesia.

With this new partnership, OCBC is rolling out a programme featuring branded card designs, marketing activations and financial literacy content inspired by Disney, Pixar, Marvel and Star Wars, providing special retail banking experiences and products.

The OCBC MyOwn Account soft-launches today on the OCBC app, in preparation for its official launch on 20 October. To celebrate, Wisma Atria’s OCBC branch will be spiffed up with Disney and Marvel-themed photo zones, featuring popular characters such as Stitch, Iron Man, and Spider-Man. Visitors will also have an opportunity to meet and greet “a special friend” from Disney’s Lilo & Stitch.

Financial literacy content such as comics and activity sheets for children will be available digitally on the OCBC app and website, along with print versions at its Wisma Atria branch. These feature Disney characters from Wreck-It Ralph and include financial guidance from teachers and parents. Over 100,000 physical copies of the comic will also be handed out to students at 110 secondary schools nationwide.

In addition, select OCBC cards and bank accounts will sport Disney design bundles, including merchandise like limited-edition Disney-themed OCBC pins in “blind packs”. This is set to launch by mid-2025.

Mr Sunny Quek, Head of Global Consumer Financial Services, OCBC, said, “Collaborations like these enable us to attract new customers and bring to the market products and services that are not based on pricing or rates alone. I am therefore confident we will accelerate our acquisition of new-to-bank customers across our Southeast Asia core markets in five years.”

Kevin Low

Kevin is a reformed PC Master Race gamer with a penchant for franchise “duds” like Darksiders III and Dead Space 3. He has made it his life-long mission to play every single major game release – lest his wallet dies trying.

The post OCBC Kicks Off Five-Year Regional Partnership With Disney appeared first on Geek Culture.

On 19 November, Warner Bros. Discovery will expand its streaming service, Max, to seven new markets in Southeast Asia (including Indonesia, Malaysia, Philippines, Singapore, and Thailand), Taiwan, and Hong Kong. The launch signifies a major step in Max’s globalisation, following successful rollouts in the U.S., Latin America, and Europe.

Max combines popular franchises and new originals under one umbrella, providing an extensive catalog that includes award-winning series such as Game of Thrones and Succession, along with Max Originals like the adult animation Creature Commandos, and Dune: Prophecy. Subscribers can look forward to an array of titles including Harry Potter, Friends, The Last of Us, and Warner Bros. recent hits like Dune: Part Two, Twisters, and Godzilla x Kong: The New Empire.

The Max interface promises ease of use with features like personalised recommendations, seamless search capabilities, and specialised hubs for genres and brands. It allows for the creation of up to five unique user profiles per account, with each profile customisable with favourite characters as avatars. Content suggestions will be tailored to individual viewing habits, and the service includes enhanced parental controls for children’s profiles.

“We are thrilled to bring Max to more consumers in Asia,” says JB Perrette, CEO and President of Global Streaming & Games at Warner Bros. Discovery, “Max brings together unparalleled quality content from iconic brands like HBO, Discovery, the DC Universe, Harry Potter, AFN, and Cartoon Network, as well as Hollywood blockbusters all in one place. Building on successful launches in the U.S., Latin America and Europe, Asia Pacific represents the next phase of Max’s globalisation, making Max available now in over 72 markets with more to come in 2025.”

Max plans to offer two subscription tiers — Standard and Ultimate. The Standard plan will include HD streaming on two devices simultaneously and 30 downloadable titles for offline viewing. The Ultimate plan will offer streaming on four devices, support for 4K UHD and Dolby Atmos where available, and 100 downloadable titles. Pricing details are set to be released in the coming weeks and will vary by country and provider. The service is a response to growing consumer demand for diverse and high-quality content accessible on multiple devices.

Max’s broad content offering also extends to family and children’s programming with Cartoon Network and CARTOONITO, featuring favorites like Adventure Time and Teen Titans Go!. Moreover, for the first time, Warner Bros. Discovery’s famous unscripted programming from networks such as Discovery, TLC, HGTV, AFN, and Food Network will be available through Max, highlighting popular shows like Deadliest Catch and Property Brothers.

As part of the launch, existing HBO GO subscribers in Southeast Asia (including Singapore, Taiwan, and Hong Kong will automatically transition to Max, enhancing their current subscriptions with a broader range of content and a new streaming experience. The anticipation for Max is high, and with its comprehensive content lineup and robust functionality, Warner Bros. Discovery looks set to make a significant impact in streaming across Asia.

Natalie

Natalie is a big fan of anything related to movies, TV shows, games, and comics — you name it. When she’s not reading or geeking out about the latest shows on Netflix, she’s probably playing gacha and tabletop games, or daydreaming of meeting her idols.

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