“What is a hero?”

The concept of heroism often evokes images of mythical legends, their larger-than-life exploits fueling our imaginations and shaping our ideals. We tend to view these figures as symbols of strength and resilience, their stories offering escapism and inspiration. And perhaps no hero, or in instance, superhero, embodies these qualities more than Superman, the Man of Steel who captured the hearts of millions with his unwavering commitment to truth and justice. And when it comes to the big screen, there will always be Christopher Reeve, who made the world believe that a man can fly. With his chiselled physique and unwavering gaze, Reeve first brought the Last Son of Krypton to life in Richard Donner’s Superman (1978), forever etching his image into the pantheon of cinematic heroes.

Reeve’s portrayal of Superman was so convincing, so perfectly aligned with the comic book ideal, that the tragic accident that befell him in 1995 felt particularly cruel. Thrown from a horse during an equestrian competition, Reeve suffered a spinal cord injury that left him paralysed from the neck down. The irony of Superman, a symbol of invincibility, becoming confined to a wheelchair was not lost on the world. It was a devastating blow, not just for Reeve and his loved ones, but for the millions who had come to see him as the embodiment of heroic ideals.

This profound irony is explored with great sensitivity and depth in Super/Man: The Christopher Reeve Story, a documentary that chronicles Reeve’s life, inevitably focusing on the accident and its aftermath. The film allows Reeve to speak with intimate candour about his initial despair and the surreal nightmare he experienced.

“We need all the heroes we can get,” Reeve states near the beginning of the documentary, a sentiment that resonates throughout the film. Directors Ian Bonhôte and Peter Ettedgui, known for their nuanced approach to biographical documentaries along the likes of McQueen (2018) – a documentary that shone light on British fashion designer Alexander McQueen – and Paralympic Games-focused Rising Phoenix (2020), strike a delicate balance between celebrating Reeve’s iconic status and exploring the personal struggles he faced after his accident. Unlike their previous subject (McQueen) who tragically succumbed to his demons, Reeve’s story is one of resilience and triumph over adversity.

For those unfamiliar with the cultural landscape of 1978, it’s difficult to grasp the monumental impact of Donner’s Superman, which rose above the initial scepticism and the unexpected triumph of Reeve’s performance. Reeve was among the many who were in the running for the role of Superman, with the most notable being A-listers like Paul Newman (Butch Cassidy and the Sundance Kid, The Hustler) and Robert Redford (All the President’s Men, The Natural). Even Arnold Schwarzenegger (The Terminator, Predator) and singer-songwriter Neil Diamond expressed interest in donning the iconic red cape.

Superman catapulted the then-unknown Broadway actor to superstardom, his portrayal of the Man of Steel becoming the definitive interpretation for a generation. At a time when superhero movies were mainly a joke or a rarity, Reeve’s embodiment of both the bumbling Clark Kent and the awe-inspiring Superman proved to be a winning combination, captivating audiences and critics alike. Even the briefest glimpses of Reeve soaring through the skies with Margot Kidder’s Lois Lane, accompanied by John Williams’ iconic score, are enough to evoke a sense of wonder. His performance in Superman II (1980) further solidified his status, showcasing the duality of Clark Kent and Superman with remarkable nuance.

While acknowledging the influence of the Superman films on Reeve’s career, the documentary doesn’t shy away from his later cynicism towards the role, touching upon his frustration with being typecast and his disappointment with the declining quality of Superman III (1983) and Superman IV: The Quest for Peace (1987). Thankfully, the film wisely chooses not to dwell on these aspects, recognising that Reeve’s story extends far beyond his superhero persona.

Nevertheless, there’s no denying that Reeve’s image as Superman, a symbol of strength and invincibility, amplified the shock and sorrow when he reappeared in public at the 1996 Academy Awards, less than a year after his accident. The documentary featured footage of Reeve’s journey to the Oscars, revealing the logistical challenges and emotional weight of his public return. This powerful moment is further enriched by the revelation of longtime friend and Juilliard schoolmate Robin Williams’ (Dead Poets Society, Good Will Hunting) instrumental role in orchestrating Reeve’s appearance, showcasing the depth of their friendship and unwavering support. Glenn Close (Fatal Attraction, 101 Dalmatians), a close friend of both actors, even suggested that Williams’ own tragic passing might have been prevented had Reeve still been alive.

Beyond Reeve’s public persona and struggles, Super/Man: The Christopher Reeve Story also delves into the deeply personal topic of family. His three children, Alexandra, Matthew, and Will, offer intimate reflections on their father, their words interwoven with heartwarming home videos and archival footage that capture the joy and love within their family. The film traces Reeve’s evolving relationships, from his ten-year partnership with British modelling agent Gae Exton, with whom he had two children (Alexandra and Matthew), to his marriage to actress-singer Dana Reeve (née Morosini), the mother of his youngest son, Will. 

Although Reeve and Exton never married and eventually parted ways – a decision that eerily echoed the marital patterns of his own parents – his subsequent marriage to Morosini displayed a profound depth of love and commitment. This relationship proved pivotal, offering Reeve a stable family life that was crucial in overcoming his bouts of depression. The dynamic within their blended family, with Dana warmly embracing Alexandra and Matthew while nurturing a strong sibling bond with Will, highlights a cohesive familial unit. Even Exton remained a part of their lives, and the film captures a particularly poignant moment as she reflects on her relationship with Reeve, along with the enduring affection they shared. 

One of the most remarkable aspects of Super/Man: The Christopher Reeve Story is its ability to find hope and resilience amidst tragedy. While acknowledging the devastating impact of Reeve’s accident, the film centres on his extraordinary journey of recovery (he learned to breathe, speak, and ultimately, to live a fulfilling life), and his transformation into a passionate advocate for the disabled, chronicling his tireless efforts to raise awareness and secure funding for spinal cord injury research. In doing so, Reeve stepped off his superhero pedestal and became a true human hero, his empathy and determination shining brighter than any fictional superpower. 

“A hero is an ordinary individual who finds the strength to persevere and endure in spite of overwhelming obstacles,” says Reeve in his autobiography, Still Me (1998). Super/Man: The Christopher Reeve Story embodies this sentiment, offering an intimate and achingly honest portrait of a man who redefined heroism. It’s a must-see documentary that celebrates Reeve’s legacy, not just as a cinematic icon, but as a beacon of hope and resilience for those facing seemingly insurmountable challenges. Just remember the tissues – this narrative, rich with triumph and tearful moments, demands them.

Natalie

Natalie is a big fan of anything related to movies, TV shows, games, and comics — you name it. When she’s not reading or geeking out about the latest shows on Netflix, she’s probably playing gacha and tabletop games, or daydreaming of meeting her idols.

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In an exciting development for sci-fi and thriller fans, Josh Brolin has been cast as the antagonist in Edgar Wright’s upcoming adaptation of Stephen King’s dystopian novel, The Running Man, according to Deadline.

The Running Man revolves around Ben Richards, played by Glen Powell, a man coerced into participating in a brutal televised chase where he must evade capture by authorities for a month to win a massive cash prize. The game is lethal, with hunters authorised to kill. This narrative was previously adapted in 1987 with Arnold Schwarzenegger in the lead, but Wright’s version promises to stay truer to King’s original vision.

Wright, acclaimed for directing Baby Driver and Shaun of the Dead, co-writes this adaptation with 21 Jump Street‘s Michael Bacall. The ensemble cast also includes Katy O’Brian from Love Lies Bleeding, Nocturnal Animals‘ Karl Glusman, and All American‘s Daniel Ezra, contributing to what is anticipated to be a gripping rendition of King’s work.

As a precursor to modern survival stories like The Hunger Games and Battle Royale, The Running Man offers a critical look at society’s fascination with spectacle and punishment. Fans are hopeful that Wright’s take will deliver a compelling narrative that does justice to King’s original material.

In other news, Brolin was recently linked to the role of Hal Jordan in the Green Lantern series Lanterns for HBO, but he has since passed on the opportunity. Kyle Chandler will instead take on the role, with Aaron Pierre confirmed as John Stewart. Besides The Running Man, Brolin was also recently cast in Rian Johnson’s upcoming Wake Up Dead Man.

Brolin’s involvement in The Running Man adds significant star power to an already highly anticipated film, promising a deep dive into the dark corners of human entertainment and survival instinct. Fans can look forward to a thrilling chase when The Running Man hits theatres on 21 November 2025.

Natalie

Natalie is a big fan of anything related to movies, TV shows, games, and comics — you name it. When she’s not reading or geeking out about the latest shows on Netflix, she’s probably playing gacha and tabletop games, or daydreaming of meeting her idols.

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Parker Finn’s 2022 directorial debut and sleeper horror hit, Smile, introduced audiences to a truly unsettling antagonist: a malevolent entity that forces its victims into gruesome suicides while sporting a chillingly wide grin. This sinister phantom, with its contagious smile and penchant for psychological torment, tapped into a primal fear, leaving viewers with a lingering sense of unease long after the credits rolled. The film’s success, raking in over US$217 million worldwide against a modest US$17 million budget, proved that a simple yet effective horror concept could resonate with audiences, even in an era saturated with grotesque genre offerings.

Unsurprisingly, Smile 2 arrives with the promise of a heftier budget of US$28 million and a grander, more elaborate spectacle, offering Finn the opportunity to expand upon his terrifying creation. One might expect a sequel with increased resources to delve deeper into the mythology hinted at in the original, exploring new facets of the grinning entity and expanding the narrative’s scope but instead of demystifying the monster or venturing into uncharted territory, Finn opts to revisit familiar ground, essentially rehashing the first film’s formula, albeit with a slightly different thematic lens. While the original Smile focused on a psychologist grappling with mental health and trauma, the sequel turns its attention to the pressures of modern celebrity stardom and the unrelenting scrutiny of the public eye.

The sequel unfolds with a direct connection to its predecessor, initiating with a seamless, single-shot sequence that reminds viewers of the unresolved dread from the first film. It quickly transitions to showcase its expanded budget through an unexpected cameo by Scream (1996) alum Drew Barrymore (Charlie’s Angels, 50 First Dates), before introducing us to the glittering yet grim reality of pop star Skye Riley, portrayed with an onstage charisma and offstage vulnerability of an idol grappling with the dark side of fame by Naomi Scott (Power Rangers, Aladdin). This reality is, sadly, one that the sinister entity exploits with cruel irony.

Adding to the mounting tension, Riley is still recovering from a near-fatal car crash and struggling with sobriety, all while on the verge of a high-stakes comeback tour. Her carefully constructed facade begins to crumble as she witnesses a horrifying death of her friend Lewis (Lukas Gage, Euphoria, The White Lotus), triggering a series of disturbing visions that threaten to derail her career and sanity. 

Her struggles are compounded by a host of personal challenges, including a manipulative stage mother played by Rosemarie DeWitt (Rachel Getting Married, Poltergeist), a controlling record executive (Raúl Castillo, Looking), and unresolved guilt over past actions that ruined a close friendship with ex-best friend Gemma (Dylan Gelula, First Girl I Loved). Finn intertwines these personal dramas with Skye’s psychological descent, as she tries to maintain her glamorous facade while grappling with increasingly terrifying hallucinations.

Smile 2 truly shines when it taps into the specific anxieties of a life lived under the harsh spotlight. A standout scene features Riley, mouth smeared with blood-red lipstick, delivering an uncomfortably honest impromptu speech at a charity event after the teleprompter malfunctions. This sequence, among others (including facing a crazed stalker at a meet-and-greet), draws parallels to the struggles of real-life figures like singer Amy Winehouse and singer/songwriter Chappell Roan, whose mental health and personal struggles often become fodder for public consumption. 

Scott, a musician herself, embodies the character’s frazzled nerves and inner turmoil with impressive authenticity, making this her most alluring big-screen performance to date. One can’t help but wonder if Scott is channelling her own experiences navigating the treacherous waters of the music industry, as she delivers a poignant and vulnerable rendition of her song, titled Blood on White Satin, about the curse of fame.

This vulnerability is further amplified by Finn’s sophisticated approach to horror, which masterfully blends subtle unease with shocking body horror. The film’s technical execution has matured since the original, using disorienting angles and atmospheric lighting to enhance the sense of disorientation and fear. Smile composer Cristobal Tapia de Veer returns with yet another eerie score, a blend of industrial noise and distorted sounds that perfectly complements the film’s unsettling visuals, including a particularly memorable sequence with phantom backup dancers contorting into grotesque poses.

While Smile 2 delivers its fair share of jolts and its commentary on celebrity culture is sharp and insightful, the bloated runtime dilutes its impact. Clocking in at over 2 hours compared to its predecessor’s 1 hour 55 minutes runtime, Smile 2 occasionally feels repetitive, labouring its points when a more concise approach would have heightened the tension and emotion. 

This overextension is particularly evident in the film’s overreliance on the villain’s reality-bending abilities. While the initial hallucinations are effective in creating a sense of unease and paranoia, the constant shifting between reality and delusion, punctuated by increasingly graphic violence, creating a distancing effect, preventing the audience from fully connecting with Skye’s terrifying ordeal. Each plot twist, revealing yet another mere figment of Riley’s imagination, starts to feel less like a clever narrative device and more like a frustrating gimmick. 

Ultimately, Smile 2 is emblematic of the classic sequel dilemma – bigger doesn’t always mean better. The sequel may amp everything up, from Scott’s star performance to its critique of celebrity culture, but it loses some of the chilling simplicity that made the original Smile so effective. Nevertheless, Finn’s bold, untempered direction ensures that the film will find its audience, leaving many horror fans smiling – though perhaps not as widely as the first film.

Natalie

Natalie is a big fan of anything related to movies, TV shows, games, and comics — you name it. When she’s not reading or geeking out about the latest shows on Netflix, she’s probably playing gacha and tabletop games, or daydreaming of meeting her idols.

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Disney is setting the stage for a new take on the classic character Prince Charming, with Paddington and Wonka director Paul King at the helm. This announcement, first reported by Deadline, marks a fresh direction for one of Disney’s most recognisable but often background characters.

Known for his successful direction of whimsical and beloved films, King has been confirmed to direct the film, collaborating on the script with Jon Croker and Simon Farnaby. Croker brings experience from the first Paddington movie, while Farnaby worked with King on Wonka and Paddington 2.

The character of Prince Charming has appeared under this title in Disney’s Cinderella and has been a staple in many fairy tales and Disney films, often serving as the hero who rescues the leading lady. The plot remains under wraps, and it’s unclear whether this adaptation will be animated or live-action, though Disney’s recent trend leans towards live-action productions.

While the character has traditionally been portrayed in a heroic light, modern renditions in media like the Once Upon a Time TV series have offered more nuanced, and sometimes villainous (we’re looking at you, Shrek 2…) takes. This new film could potentially explore an origin story or an alternative perspective focusing on Prince Charming’s backstory, providing a fresh take on his role in the Disney universe.

Paul King’s directorial prowess was recently showcased in Wonka, an origin story for Roald Dahl’s Willy Wonka, which became a box office success by grossing US$634 million worldwide. King’s storytelling style, which combines heartfelt narrative with rich, imaginative visuals, seems well-suited for bringing depth to a character traditionally seen but not deeply explored.

Details about the release date for Prince Charming are still pending, as are announcements about the cast. This new venture promises to redefine Prince Charming for a new generation, potentially turning the spotlight on a character who has played a pivotal yet often static role in many a Disney tale.

Natalie

Natalie is a big fan of anything related to movies, TV shows, games, and comics — you name it. When she’s not reading or geeking out about the latest shows on Netflix, she’s probably playing gacha and tabletop games, or daydreaming of meeting her idols.

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Tom Holland recently revealed insights into the development of Spider-Man 4, expressing his enthusiasm about the current script’s direction. In a discussion on the Rich Roll podcast, Holland, known for his portrayal of Spider-Man and a tendency to share secrets, conveyed his excitement alongside co-star Zendaya after reviewing a draft of the upcoming film.

“We have a creative and we have a pitch and a draft, which is excellent. It needs work, but the writers are doing a great job. I read it three weeks ago and it really lit a fire in me,” Holland commented. The actor shared a glimpse into their reading experience: “Zendaya and I sat down and read it together and we at times were bouncing around the living room like this is a real movie worthy of the fans’ respect.”

During the interview, Holland touched on various topics, including his relationships within the Marvel Cinematic Universe (MCU), like his mentorship bond with Robert Downey Jr. He emphasised the importance of delivering a film that lives up to Marvel fans’ expectations.

He also noted the complexities of working within the larger MCU framework. “One of the things is that, with Marvel, your film is a small cog in a large machine. That machine has got to keep running,” he explained. “You have to make sure you can fit into that timeline at the right time to benefit the bigger picture. That’s one of the challenges we’re facing. The time in which we need to get that done is a tall order but definitely achievable with the people we have working on it now.”

Holland also shared his hopes for integrating Miles Morales into the MCU. “If I would be lucky enough to somehow bring Miles Morales into my Spider-Man universe and into the MCU, I’d love to do for a young kid what [Robert] Downey [Jr.] did for me,” he expressed.

While details about Spider-Man 4 are still under wraps, rumours suggest it may be directed by Destin Daniel Cretton, known for Shang-Chi and the Legend of the Ten Rings.

In the meantime, Sony Pictures is set to release Venom: The Last Dance on 24 October, marking Tom Hardy’s final appearance in the series. They are also developing Spider-Man: Beyond the Spider-Verse, a sequel to 2023’s Spider-Man: Across the Spider-Verse. Release dates for Spider-Man 4 remain unknown, but the MCU pipeline is full of projects slated for 2025 and beyond.

Natalie

Natalie is a big fan of anything related to movies, TV shows, games, and comics — you name it. When she’s not reading or geeking out about the latest shows on Netflix, she’s probably playing gacha and tabletop games, or daydreaming of meeting her idols.

The post Tom Holland Says ‘Spider-Man 4’ “Needs Work”, Wants To Mentor Miles Morales In MCU appeared first on Geek Culture.

Scholastic has just released the book cover and official synopsis of the eagerly awaited prequel to the Hunger Games series, Sunrise on the Reaping, set to hit shelves on 18 March 2025. This latest entry delves into the tumultuous Second Quarter Quell, a pivotal event in the series’ lore that fans of the films will recall Haymitch Abernathy, played by Woody Harrelson, famously survived.

Suzanne Collins, the mastermind behind the Hunger Games universe, sets Sunrise on the Reaping 24 years before the original trilogy. The prequel’s official synopsis is as follows:

“When you’ve been set up to lose everything you love, what is there left to fight for?

As the day dawns on the fiftieth annual Hunger Games, fear grips the districts of Panem. This year, in honor of the Quarter Quell, twice as many tributes will be taken from their homes. Back in District 12, Haymitch Abernathy is trying not to think too hard about his chances. All he cares about is making it through the day and being with the girl he loves.

When Haymitch’s name is called, he can feel all his dreams break. He’s torn from his family and his love, shuttled to the Capitol with the three other District 12 tributes: a young friend who’s nearly a sister to him, a compulsive oddsmaker, and the most stuck-up girl in town. As the Games begin, Haymitch understands he’s been set up to fail. But there’s something in him that wants to fight . . . and have that fight reverberate far beyond the deadly arena.”

Sunrise on the Reaping promises to add depth to the character of Haymitch and explore the impact of his actions both inside and beyond the arena. This narrative arc aims to enrich the complex world of Panem, providing insights into the origins of the rebellion that defines the later books.

Nina Jacobson and Brad Simpson, who produced the original Hunger Games films, which have grossed a staggering US$3.3 billion globally, making it one of the highest-grossing film franchises, will return to produce the film adaptations of Sunrise on the Reaping.

The Hunger Games series continues to expand, with Collins’ 2020 prequel The Ballad of Songbirds and Snakes having already been turned into a successful film in 2023, starring Rachel Zegler and Tom Blyth, which pulled in US$337.4 million worldwide.

Fans of the series can mark their calendars for 18 March 2025, when Sunrise on the Reaping is scheduled for release. For now, they can pre-order their copy on the Amazon website.

Natalie

Natalie is a big fan of anything related to movies, TV shows, games, and comics — you name it. When she’s not reading or geeking out about the latest shows on Netflix, she’s probably playing gacha and tabletop games, or daydreaming of meeting her idols.

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In an exciting update for fans of The Boys, Mason Dye, renowned for his portrayal of Jason Carver in Stranger Things, is set to join the cast in season 5. Dye will assume the role of Bombsight, a superhero originally seen in the fictional 1950s Vought International film, The Curse of Fu Manchu. This character’s mention in season 4 hinted at his longstanding history, suggesting abilities like immortality or a healing factor that could make for intriguing plot developments through flashbacks.

The casting news, which first surfaced in Variety and was further detailed by Entertainment Weekly, indicates that Dye’s Bombsight might also feature in the anticipated spinoff prequel, Vought Rising, starring Jensen Ackles and Aya Cash. This move signifies a significant expansion of the universe created by Eric Kripke and based on the comic series by Garth Ennis and Darick Robertson.

Dye joins a dynamic ensemble that includes Hamilton‘s Daveed Diggs, who was recently announced as a new addition in an undisclosed role. The Boys, originally a comic that faced early cancellation but found new life and success with Dynamite Entertainment, has grown into a pop culture phenomenon under Amazon Prime Video’s banner. It stars Karl Urban, Jack Quaid, Antony Starr, and Erin Moriarty in a gritty narrative that critiques superhero commercialism.

The show has consistently pushed boundaries, leading to its development into a franchise with multiple spinoffs. Season 4 sets the stage with high stakes as Victoria Neuman inches closer to power, aligned with Homelander, while Butcher faces personal and professional crises. The new season will undoubtedly escalate these conflicts, pulling characters like Dye’s Bombsight into the central narrative whirlwind.

Dye’s career trajectory has been marked by notable roles in television and film, including appearances in Teen Wolf and various Lifetime movies. His performance in Stranger Things brought him significant recognition, making him a fitting addition to The Boys‘ robust cast.

Natalie

Natalie is a big fan of anything related to movies, TV shows, games, and comics — you name it. When she’s not reading or geeking out about the latest shows on Netflix, she’s probably playing gacha and tabletop games, or daydreaming of meeting her idols.

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Get ready to set sail on a magical adventure! When the Disney Adventure embarks from Singapore on 15 December 2025, it will transport guests to the fantastical worlds of Disney, Pixar, and Marvel. This brand-new ship promises an unforgettable cruise experience filled with enchanting storytelling and special experiences designed especially for guests in Asia.

The Disney Adventure features seven uniquely themed areas: Disney Imagination Garden, Toy Story Place, San Fransokyo Street, Town Square, Wayfinder Bay, Disney Discovery Reef, and Marvel Landing. Each area brings beloved Disney, Pixar, and Marvel’s iconic characters and stories to life. This ship boasts several firsts for the fleet, including three all-new attractions on the upper decks.

One of the newest attractions is Marvel Landing, where thrill-seekers can experience Avengers-level adventures with three new attractions. Ironcycle Test Run is a 250-meter-long rollercoaster where guests test-drive Tony Stark’s latest Ironcycle prototype. Pym Quantum Racers lets guests steer Pym Tech-modified mini-cars on an oversized toy set track. And Groot Galaxy Spin takes guests on an out-of-this-world ride aboard a Nova Corp Bass Jumper.

Toy Story Place is a new whimsical water play land where the world of Pixar’s Toy Story comes to life. Designed for families with young children, this area features a large family pool, multiple whirlpools, towering water slides, and interactive splash pads. In the all-new San Fransokyo Street, families can visit the Big Hero Arcade, where the Hiro Training Zone offers an immersive, full-body gaming experience.

Entertainment abounds on the Disney Adventure. The Walt Disney Theatre will host two spectacular productions. Remember, an all-new musical developed exclusively for the Disney Adventure, features the beloved robot duo from Disney-Pixar’s Wall-E and other Disney stars. A returning favourite, Disney Seas the Adventure, takes guests on a musical journey through beloved Disney stories.

The ship’s dining venues are an attraction in their own right, featuring rotational dining where guests can enjoy different culinary themes throughout their voyage, accompanied by Disney characters. Navigator’s Club honours the maritime tradition of exclusive ‘captain’s table’ dinners, while Hollywood Spotlight Club evokes the glitz and glamour of Hollywood’s golden age.

Two magically animated restaurants celebrate the art of Disney and Pixar animation, transforming from black-and-white to full-spectrum colour throughout the meal. Animator’s Palate is adorned with film strips and props from favourite movies like Disney Animation’s The Little Mermaid and Encanto and Pixar’s Toy Story, while Animator’s Table showcases authentic artwork from iconic films like Disney Animation’s Aladdin and Frozen and Pixar’s Finding Nemo.

Enchanted Summer Restaurant, inspired by Tangled and Frozen, and Pixar Market Restaurant, a celebration of Pixar films, offer buffet-style breakfast and lunch, transitioning to table-service dinners in the evenings. For premium dining, Palo Trattoria offers exquisite Italian fare, and Mike & Sulley’s – Flavours of Asia presents a unique culinary adventure with Japanese steakhouse, teppanyaki, sushi, and sashimi options.

For those seeking the ultimate in luxury, concierge staterooms and suites offer personalised service and exclusive access to private retreats, luxury shopping, and first-class spa and fitness facilities. The Concierge Lounge, inspired by Aladdin, provides a relaxing haven with complimentary refreshments and gourmet bites.

Adults can unwind at Senses Spa, offering indulgent treatments and a tranquil Rainforest area. The Fitness Center features state-of-the-art exercise equipment and dedicated spaces for activities like cycling and yoga. A variety of adults-only restaurants, bars, and lounges provide sophisticated escapes, each with its own unique theme and atmosphere.

Children are also treated to a world of wonder with dedicated kids’ clubs. Disney’s Oceaneer Club is a wonderland of immersive spaces for children aged 3 to 10, featuring themed areas inspired by Disney, Pixar, and Marvel stories. Teens and tweens have their own exclusive retreats at Vibe and Edge, offering age-appropriate activities and entertainment.

Sarah Fox, Vice President and Regional General Manager for Southeast Asia at Disney Cruise Line, shared her excitement about the launch, “Today we unveil the spectacular new Disney Adventure to the world. Sailing on primarily three- and four night voyages designed with only dedicated days at sea, the ship will include something for everyone. From fun and interactive spaces for kids, to relaxing venues for adults to unwind, to entertaining and engaging places for families to enjoy together, guests will find endless adventures from bow to stern.”

In true Disney fashion, the Disney Adventure sets the stage for a series of unforgettable journeys, where every cruise promises adventures as expansive as the sea itself. This new ship not only continues Disney Cruise Line’s tradition of delivering magical vacations but pushes the boundaries of what guests can expect from a Disney cruise.

The Disney Adventure will launch from Singapore on 15 December 2025. Bookings will open on 10 December 2024, and pricing and sailing dates will be released on 14 November 2024. More information can be found on the Disney Cruise Line website.

Natalie

Natalie is a big fan of anything related to movies, TV shows, games, and comics — you name it. When she’s not reading or geeking out about the latest shows on Netflix, she’s probably playing gacha and tabletop games, or daydreaming of meeting her idols.

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James Gunn has excited fans with the announcement that Krypto the Superdog will debut in the live-action Superman film, which wrapped production this summer. Inspired by Gunn’s own rescue dog, Ozu, Krypto will be featured for the first time in a live-action setting, expanding his role from the comic pages to the big screen.

In a heartfelt social media post, Gunn shared how adopting Ozu, a dog rescued from a hoarding situation, influenced the addition of Krypto into the Superman script. “Ozu, who came from a hoarding situation in a backyard with 60 other dogs & never knew human beings, was problematic to say the least. He immediately came in & destroyed our home, our shoes, our furniture – he even ate my laptop. It took a long time before he would even let us touch him,” Gunn wrote on X/Twitter.

“I remember thinking, ‘Gosh, how difficult would life be if Ozu had superpowers?’ – and thus Krypto came into the script & changed the shape of the story as Ozu was changing my life. What better time to debut the not-so-good-good-boy Krypto than #AdoptAShelterDog month. Btw, Ozu today, is, fairly often, a very good boy.”

Krypto the Superdog first emerged in DC Comics in 1955 and has since appeared in various animated formats, including his own series, Krypto the Superdog, which aired on Cartoon Network and The CW’s Kids’ WB. Unlike his animated portrayals where he lands on Earth as Superman’s pet from Krypton, this marks Krypto’s first live-action film appearance. Historically, Krypto shares similar superpowers with Superman, such as super strength, flight, and invulnerability.

The upcoming Superman film, directed by Gunn, will follow the titular hero, played by David Corenswet, as he navigates his dual heritage and embodies ideals of truth, justice, and human kindness in a cynical world. The film’s storyline focuses on Superman’s efforts to balance his Kryptonian powers with his earthly upbringing.

The cast includes Rachel Brosnahan as Lois Lane, Nicholas Hoult as Lex Luthor, and María Gabriela de Faría as The Engineer, with additional roles filled by Skyler Gisondo, Sara Sampaio, Sean Gunn, Edi Gathegi, Anthony Carrigan, Isabel Merced, and Nathan Fillion.

Superman will fly into cinemas on 11 July 2025.

Natalie

Natalie is a big fan of anything related to movies, TV shows, games, and comics — you name it. When she’s not reading or geeking out about the latest shows on Netflix, she’s probably playing gacha and tabletop games, or daydreaming of meeting her idols.

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On 19 November, Warner Bros. Discovery will expand its streaming service, Max, to seven new markets in Southeast Asia (including Indonesia, Malaysia, Philippines, Singapore, and Thailand), Taiwan, and Hong Kong. The launch signifies a major step in Max’s globalisation, following successful rollouts in the U.S., Latin America, and Europe.

Max combines popular franchises and new originals under one umbrella, providing an extensive catalog that includes award-winning series such as Game of Thrones and Succession, along with Max Originals like the adult animation Creature Commandos, and Dune: Prophecy. Subscribers can look forward to an array of titles including Harry Potter, Friends, The Last of Us, and Warner Bros. recent hits like Dune: Part Two, Twisters, and Godzilla x Kong: The New Empire.

The Max interface promises ease of use with features like personalised recommendations, seamless search capabilities, and specialised hubs for genres and brands. It allows for the creation of up to five unique user profiles per account, with each profile customisable with favourite characters as avatars. Content suggestions will be tailored to individual viewing habits, and the service includes enhanced parental controls for children’s profiles.

“We are thrilled to bring Max to more consumers in Asia,” says JB Perrette, CEO and President of Global Streaming & Games at Warner Bros. Discovery, “Max brings together unparalleled quality content from iconic brands like HBO, Discovery, the DC Universe, Harry Potter, AFN, and Cartoon Network, as well as Hollywood blockbusters all in one place. Building on successful launches in the U.S., Latin America and Europe, Asia Pacific represents the next phase of Max’s globalisation, making Max available now in over 72 markets with more to come in 2025.”

Max plans to offer two subscription tiers — Standard and Ultimate. The Standard plan will include HD streaming on two devices simultaneously and 30 downloadable titles for offline viewing. The Ultimate plan will offer streaming on four devices, support for 4K UHD and Dolby Atmos where available, and 100 downloadable titles. Pricing details are set to be released in the coming weeks and will vary by country and provider. The service is a response to growing consumer demand for diverse and high-quality content accessible on multiple devices.

Max’s broad content offering also extends to family and children’s programming with Cartoon Network and CARTOONITO, featuring favorites like Adventure Time and Teen Titans Go!. Moreover, for the first time, Warner Bros. Discovery’s famous unscripted programming from networks such as Discovery, TLC, HGTV, AFN, and Food Network will be available through Max, highlighting popular shows like Deadliest Catch and Property Brothers.

As part of the launch, existing HBO GO subscribers in Southeast Asia (including Singapore, Taiwan, and Hong Kong will automatically transition to Max, enhancing their current subscriptions with a broader range of content and a new streaming experience. The anticipation for Max is high, and with its comprehensive content lineup and robust functionality, Warner Bros. Discovery looks set to make a significant impact in streaming across Asia.

Natalie

Natalie is a big fan of anything related to movies, TV shows, games, and comics — you name it. When she’s not reading or geeking out about the latest shows on Netflix, she’s probably playing gacha and tabletop games, or daydreaming of meeting her idols.

The post Warner Bros. Discovery Streaming Service Max Finally Launches In Southeast Asia, Including Singapore, On 19 Nov appeared first on Geek Culture.

This November, Marina Bay Sands in Singapore is set to dazzle as it hosts Disney Presents: A Night of Stars, a grand fan event bringing together top-tier talent from Hollywood, K-Drama, and J-Drama spheres.

Slated for 20 November from 5:30pm to 7:30pm SGT, Disney Presents: A Night of Stars will be held at the iconic nightclub MARQUEE Singapore, offering fans a unique chance to meet an array of celebrities. Attendees can look forward to interacting with actors from several anticipated Disney films and Disney+ series, making it a must-visit for fans of global cinema and streaming content.

The full lineup of Disney Presents: A Night of Stars is as follows:

• Captain America: Brave New World – Anthony Mackie
• Hyper Knife – Park Eunbin, Sul Kyunggu
• Knock-Off – Kim Soohyun, Cho Boah
• Light Shop – Ju Jihoon, Park Boyoung
• Low Life – Ryu Seungryong, Yang Sejong, Lim Soojung
• Nine Puzzles – Kim Dami, Son Sukku
• Unmasked – Kim Hyesoo, Jung Sungil
• Gannibal – Yuya Yagira, Show Kasamatsu

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This event not only marks a significant moment for fan interactions but also highlights Singapore’s growing prominence as a nexus for global entertainment events. With such a diverse cast of stars, Disney Presents: A Night of Stars in Singapore is set to be a memorable evening for all in attendance.

Admission is complimentary, but entry is limited. Fans wishing to attend must register online at the Marina Bay Sands official website. Registration opens on 16 October at 10:00am SGT and closes on 20 October at 11:59pm SGT or when tickets are sold out. Attendees can claim up to two e-tickets per person. More details will be available in the coming weeks.

Natalie

Natalie is a big fan of anything related to movies, TV shows, games, and comics — you name it. When she’s not reading or geeking out about the latest shows on Netflix, she’s probably playing gacha and tabletop games, or daydreaming of meeting her idols.

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The slasher film Terrifier 3 has carved its niche as the top-grossing film this weekend at the U.S. box office, effortlessly surpassing Joker: Folie à Deux in earnings. Since its debut at Fantastic Fest on 19 September and its U.S. release on 11 October, Terrifier 3 has quickly climbed the North American box office ranks, earning an impressive US$18.3 million in its opening weekend.

The film, a continuation of the cult horror series, outperformed Joker: Folie à Deux significantly, which only garnered US$7 million in its second weekend. This figure marks a stark contrast to Joker 2‘s opening weekend haul of US$37.7 million, highlighting a steep drop in viewership and setting a record for the worst second-weekend decline in the comic book movie genre with an 81% drop.

Terrifier 3 benefits from strong audience approval, reflected in its favourable Rotten Tomatoes audience score of 89% and a B CinemaScore. The film’s success is amplified by its timing, releasing during the Halloween season when horror films traditionally perform well. In contrast, Joker: Folie à Deux has faced significant backlash, evident from its poor critical and audience reception on Rotten Tomatoes and a catastrophic box office performance.

Directed by Chris McGurk and produced on a modest budget of US$2 million, Terrifier 3 not only revitalised the franchise but also demonstrated the continued appeal of low-budget horror films. Meanwhile, Joker: Folie à Deux continues to struggle both domestically and internationally, with a global total just reaching US$165 million. This performance is a stark departure from its predecessor’s billion-dollar gross, underscoring the sequel’s failure to resonate with audiences.

The stark contrast between the performances of Terrifier 3 and Joker: Folie à Deux illustrates a shifting landscape in audience preferences, where traditional horror elements and lower-budget films can outperform higher-budget productions that fail to meet audience expectations.

As Terrifier 3 looks to expand its influence in the horror genre, Joker: Folie à Deux‘s disappointing turnout may signal a reassessment of strategy for future DC films, especially under the stewardship of James Gunn. With Terrifier 4 already confirmed, the franchise is poised to continue its successful run, potentially establishing itself alongside other iconic horror series.

Natalie

Natalie is a big fan of anything related to movies, TV shows, games, and comics — you name it. When she’s not reading or geeking out about the latest shows on Netflix, she’s probably playing gacha and tabletop games, or daydreaming of meeting her idols.

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Sony’s latest superhero film, Venom: The Last Dance, is touted as the final chapter for Tom Hardy’s Eddie Brock and his alien symbiote, but it introduces a new character, Knull, that could extend the narrative far beyond this trilogy. The formidable god of the Symbiotes, also known as the King in Black debuts in this third instalment, potentially setting the stage for future Marvel stories.

Director Kelly Marcel, in a recent interview with IGN, hinted that while Venom: The Last Dance concludes the current Venom saga, it also marks just the beginning for Knull.

“We’re in spoiler territory now and we hope some of the fun of watching this movie is not knowing what will happen, but trust me, we know full well how important Knull is to the fans, so just as we laid a foundation for Venom, we hope we are doing the same for Knull. The King in Black is way too powerful for ‘one and done’,” Marcel stated, emphasising that the film merely scratches the surface of Knull’s potential as a villain.

“This film introduces Knull, but it just touches the beginnings of his story. Marvel’s greatest film villains are developed over time. Here, Knull is the threat lurking behind the danger that tests the absolute limits of Eddie and Venom’s partnership — but it’s their relationship that remains the heart of this story.”

Speculation about Knull’s future includes potential appearances in upcoming Spider-Man stories, possibly involving Tom Holland’s Peter Parker or Shameik Moore’s Miles Morales. Marcel’s comments hint at a broader universe where Knull could emerge as a central figure, akin to Thanos in previous Marvel phases.

First appearing in 2013’s Thor: God of Thunder comics, Knull is a primordial god linked to the origins of the Symbiotes, including the Necrosword wielded by Gorr the God Butcher. His historical significance and immense power make him a compelling villain for future narratives.

Venom: The Last Dance, while wrapping up the current Venom storyline, sets a precedent for Marvel’s evolving cinematic universe, where characters like Knull can transcend individual films to become part of a larger, interconnected narrative. The film stars Tom Hardy returning as Eddie Brock, with a supporting cast including Chiwetel Ejiofor, Juno Temple, and Rhys Ifans, among others. The identity of Knull’s actor remains under wraps, keeping fans eagerly awaiting more details as the film’s release approaches.

Natalie

Natalie is a big fan of anything related to movies, TV shows, games, and comics — you name it. When she’s not reading or geeking out about the latest shows on Netflix, she’s probably playing gacha and tabletop games, or daydreaming of meeting her idols.

The post ‘Venom: The Last Dance’ Director Promises More Knull In Sony’s Spider-Man Universe appeared first on Geek Culture.

Disney Banner is expanding its cinematic universe with the release of two eagerly awaited movies in 2025: Freakier Friday and the live-action Lilo & Stitch.

Freakier Friday, scheduled for an 8 August 2025 release, revives the magic of the 2003 hit comedy. Jamie Lee Curtis (Halloween) and Lindsay Lohan (Mean Girls) return as Tess and Anna Coleman, respectively. In this sequel, the story evolves as Anna now faces the challenges of blending families with a daughter and stepdaughter. The prospect of another identity swap looms, promising a fresh twist on the original’s beloved plot.

The film also features returning stars like Mark Harmon (NCIS) and Chad Michael Murray (One Tree Hill), alongside new faces such as Maitreyi Ramakrishnan (Never Have I Ever) and Manny Jacinto (The Acolyte). Directed by Nisha Ganatra and produced by a team including Kristin Burr and Andrew Gunn, Freakier Friday aims to capture both new audiences and fans of the original.

Meanwhile, the live-action Lilo & Stitch is set to premiere on 23 May 2025. This film brings to life the 2002 animated classic about a lonely Hawaiian girl and her chaotic yet endearing alien friend, Stitch. Chris Sanders (The Wild Robot) reprises his role as the voice of Stitch, with newcomer Maia Kealoha stepping in as Lilo. The ensemble cast includes Sydney Agudong (On My Block) as Nani, Zach Galifianakis (The Hangover) as Jumba, Billy Magnussen (Into the Woods) as Pleakley, and Tia Carrere (Wayne’s World) as Mrs. Kekoa, under the direction of Marcel the Shell with Shoes On‘s Dean Fleischer Camp.

The release dates strategically position these films in a competitive summer schedule. Lilo & Stitch will share its opening weekend with the next Mission: Impossible instalment, targeting different audience demographics. Disney’s confidence in these films reflects its broader strategy to dominate the box office post-pandemic, transitioning from streaming-oriented releases back to theatrical prominence.

Both films are part of Disney’s larger plan to leverage its established franchises while introducing innovative twists that appeal to a broad audience. As these films hit theatres, Disney is poised to continue its tradition of storytelling excellence, blending nostalgia with new adventures to create cinematic experiences that resonate across generations.

Freakier Friday will open in cinemas on 8 August 2025, and Lilo & Stitch is set to premiere on 23 May 2025.

Natalie

Natalie is a big fan of anything related to movies, TV shows, games, and comics — you name it. When she’s not reading or geeking out about the latest shows on Netflix, she’s probably playing gacha and tabletop games, or daydreaming of meeting her idols.

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Sony’s Ghostbusters franchise is determined to persist, with new developments underway despite varying levels of success among its recent films. While Ghostbusters: Afterlife (2021) achieved critical acclaim and box office success, Ghostbusters (2016) and Ghostbusters: Frozen Empire (2024) have struggled to resonate with audiences. Despite these setbacks, Gil Kenan, director of Frozen Empire, confirmed the franchise’s continuation.

The announcement aligns with Netflix’s plans to launch a new Ghostbusters animated series, set to be overseen by Afterlife’s director, Jason Reitman, alongside Kenan. This commitment to expand the Ghostbusters narrative demonstrates the creators’ dedication to the franchise’s future.

Ghostbusters: Frozen Empire introduced both new and legacy characters in a narrative centred around thwarting a villain’s destructive plans in New York City. Despite its potential, the film received mixed reviews and underperformed at the box office, raising questions about the series’ direction.

Kenan recently shared insights with The Direct, expressing enthusiasm for more Ghostbusters tales on the big screen, though specifics about upcoming projects remain under wraps. His comments reflect a proactive approach to sustaining the franchise’s legacy while navigating the challenges posed by recent releases. “We definitely are continuing the conversation of telling big Ghostbuster stories on the big screen. Jason [Reitman]… we take the responsibility and the joy of being the keepers of the flame of Ghostbusters very seriously… we definitely are continuing the conversation of telling big Ghostbuster stories on the big screen. And stay tuned. There’ll be more. There’ll be more about that later.”

The financials reveal a cautious picture: Ghostbusters: Frozen Empire grossed US$201 million worldwide on a US$100 million budget — arguably just breaking even when considering additional marketing and distribution costs. In contrast, Ghostbusters: Afterlife managed to gross US$204 million with a lower budget of US$75 million.

Given these dynamics, Sony might opt for a more modest budget for the next Ghostbusters instalment, possibly around US$75 million. This approach could allow for more focused storytelling and potentially reduce dependence on high-cost legacy cast members like Bill Murray and Dan Aykroyd, whose involvement likely inflates production costs.

The focus might also shift towards newer characters introduced in recent films, moving away from the nostalgia-driven aspects that have dominated previous entries. This strategy could help refresh the franchise’s appeal and align it more closely with contemporary audience expectations.

Kenan’s update, confirming ongoing discussions about future Ghostbusters films, suggests that while challenges persist, the spirit of the franchise remains undeterred. Fans can look forward to more adventures that blend supernatural elements with the comedic flair that has characterised the Ghostbusters saga since its inception.

Natalie

Natalie is a big fan of anything related to movies, TV shows, games, and comics — you name it. When she’s not reading or geeking out about the latest shows on Netflix, she’s probably playing gacha and tabletop games, or daydreaming of meeting her idols.

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